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Photo courtesy of Curb Records/Lime Tree Music REVIEW:  Hey World by Lee Brice (Curb Records/November 20, 2020) Accord...
As well as her reputation as a talented artist and performer, Cam is also renown for her integrity and outspoken support...
REVIEW:  Hollywood Gold by Parker McCollum (MCA Nashville/October 16, 2020) Photo courtesy of Parker McCollum While cou...
Thankfully it takes more than a global pandemic to halt the creativity of the majority of country artists, and that has ...
REVIEW:  Skeletons by Brothers Osborne (EMI Nashville/October 9, 2020) Photo courtesy of Brothers Osborne and EMI Nashv...
In a world where everything is changing, there are some things that we can still rely on. Tim McGraw is still releasing ...
You often hear the expression referring to there being something in the water when you encounter a particular group of p...
If you were to create a chronological detailing of the history of country music focusing on influence, achievement and d...
When Eric Paslay’s EP ‘Heartbeat Higher’ was released in July, the taster of what was to come made us hungry for m...
  I love a concept album. I also love songs written from a personal perspective. So when it was revealed that Linds...